Kim Hyang-gi anchors "Hallan" with a quietly devastating turn that lingers long after the credits.
Set in 1948 on Jeju Island, the film traces a mother-and-daughter survival odyssey across mountain and sea. As A-jin, a mother who hides on Hallasan to evade a brutal crackdown, Kim risks everything to descend and find her daughter, Hae-saeng (Kim Min-chae), left behind in their village. Her clear emotional throughline and immersive focus drive the story forward.
Kim reportedly began building A-jin three months before cameras rolled, digging into character work and scouting Jeju locations with the crew to absorb the island’s environment and psyche. She also trained extensively in the Jeju dialect, earning local praise for a near-perfect delivery.
That groundwork shows on screen. Through harrowing treks over ridgelines and plunges into icy waters, Kim layers emotion with precision―measured breaths, a steely gaze, and dialect inflections that feel lived-in―rendering A-jin in three dimensions. It’s the kind of grounded work that has audiences saying, “This is why we trust Kim Hyang-gi.”
More than a portrait of maternal instinct, her A-jin becomes a conduit to the lived history of the Jeju April 3 Uprising―linking intimate stakes with national trauma and prompting viewers to reconsider a chapter too often overlooked.
A standout since her child-actor days, Kim uses "Hallan" to showcase a wider range and new maturity, distilling heavy themes―historical tragedy, motherhood, survival―into something piercing and humane.
Arriving in theaters this winter, "Hallan" pairs Kim’s powerhouse performance with a clear-eyed reminder of a painful period in Korean history, drawing strong word of mouth for its emotional truth and scope.
"Hallan" opened Nov. 26 in Korea.
Photo= Whenever Studio
(SBS Entertainment News | Kim Ji-hye)
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